Hints on painting techniques
  
Wide selection of pottery Sponging
  When painting large areas, such as a background colour for a plate/mug, use a sponge with a dabbing action. This gives a nice even texture without paintbrush marks.

Sponging can also be used to give a textured finish with a single or multiple colours.
Thickness of paint
  When sponging, you only need to make sure the area is well covered. However, when painting with a paintbrush, at least 3 coats should be applied to give a solid colour.
Light and dark colours
  When painting one colour on top of another it is important to remember that dark colours will always cover light colours. If you paint a dark blue background, then paint a picture on top in lighter colours, once glazed the lighter colours will look very see-through. It is better to paint a light background and paint darker colours on top of it. If painting light colours on dark ones, make sure you go over the lighter colours at least 5-6 times to ensure the paint is thick enough.
Drawing designs onto pottery
  If you wish to draw an outline onto the pottery before painting, use a pencil or felt-tip – this will burn off in the kiln, ie the marks will have disappeared when you collect your glazed item.
Dots
  Use the other end of the paintbrush to give you nice round dots.
Wide selection of pottery Stencils/sponges
 

When using stencils, sponges etc it is always advisable to try them on the place paper first – they don’t always look as good once painted on.

With stencils, do not paint directly onto pottery with a paintbrush, the paint will often bleed around the edges of the image. Either trace the design onto the pottery or use a sponge which stops the bleeding.

Straight lines
  To create nice straight lines, use some masking tape then paint up to it. Leave it until it is dry and then peal off.
Speckling effect
  Using a flat edged paintbrush, load with paint and slide your finger along the edge, directing the spray onto the pottery. Building up the effect with a few colours gives a good effect.
Unpainted surfaces
  If you do not paint a background colour, the area will be an off-white colour once glazed.